The Middle Distance
Oil on linen with beeswax, 150 x 110 cm, 2025
Ring Around the Sun & We Rage On
Installation view of solo exhibition at Alma Pearl, London, UK, 2025
Supported by the Canada Council for the Arts
SK Eye
Single-channel video, 14:43 min, 2025
Edified Eddies
Oil on linen in lost wax bronze frame, 25 x 20 x 5.5 cm, 2025
Dance of the Fated Furies
Single-channel video installation, 09:49 min, 2025
Dancers: Poltava Ensemble, Theremin score: Christina Masha Milinusic
Supported by the Canada Council for the Arts
Always remember your home
Glazed stoneware ceramic, 8 x 23 x 13 cm, 2025
Red Scry at Night, Painter's Delight
Oil on linen in singed breadtray, 54.5 x 80.5 cm, 2024
No Plein Aire
Oil on linen in singed breadtray, 54.5 x 80.5 cm, 2024
Dichroic Glass, Dithyrambic Sun
Oil on linen in singed breadtray, 54.5 x 80.5 cm, 2024
Sun-Based Materialisms were included in Bitch Magic, a group exhibition curated by Celeste Baracchi at Alma Pearl, London, UK alongside artists Renate Bertlmann, Permindar Kaur, Rebecca Parkin, Tai Shani, Penny Slinger, Georgina Starr, Unyimeabasi Udoh and the artist duo Cullinan Richards
Installation view of a group exhibition curated by KIRKI Projects at the Old School of Kastro, Sifnos, GR, 2024 alongside artists Alma Berrow, Alicja Biala, Nikos Chandolias, Futurefarmers, Hypercomf, Rindon Johnson, Pia Oruño and Paky Vlassopoulou
Buns of Steel
Oil on linen with found wooden frame, 64 x 51 cm, 2024
Nocturnal Descent
Oil on linen, 160 x 110 x 5 cm, 2023
Included in solo exhibition Liberate Thee, Angel of History, Pangée, Montréal, CA, 2023 & Antigone Revisited, a group exhibition curated by Marcelle Joseph, Hypha Studios, London UK, 2024
Liberate Thee, Angel of History
Installation view of solo exhibition at Pangée, Montréal, CA, 2023
Supported by Creative Scotland
The Silver Cord
Oil on linen with spike lavender & beeswax, 45.5 x 40 cm, 2023
A Sieve for the Sun
Oil on linen, 100 x 140 cm, 2022
Liberate Thee, Angel of History
Installation view of solo exhibition at Pangée, Montréal, CA, 2023
Supported by Creative Scotland
Milk River
Oil on linen, 45.5 x 40 cm, 2023
Immanent Waver
Oil on linen, 100 x 140 cm, 2023
Fire in Middle Mount
Oil on linen, 45.5 x 40 cm, 2023
On Volya: Filling in the Frescoes
16mm and digital video, 09:55 minutes, 2023
Director of Photography: Alex Hetherington, Score: Miel, Dancer: Kirstin Halliday, Film Processing: Kodak Film Lab, London, UK
Supported by Canada Council for the Arts with thanks to David Dale Gallery
North American Premiere: solo exhibition Liberate Thee, Angel of History, Pangée, CA, 2023; UK Premiere: David Dale Gallery, Glasgow, UK curated by Caitlin Merrett King in collaboration with the Dovzhenko Studios, Kyiv, UA, 2023; Screened in programmes: Dislocated Visions, curated by Dr. Lauren Fournier at Pleasure Dome, Toronto, CA, 2025; Over the Hill and Far Away: Costume, Ritual and Rural Mysticism, ICA London, UK as part of the London Short Film Festival, 2024
Warnings in the Weft
Oil on linen with carved wooden frame, 87 x 50 x 7 cm, 2022
Warped Warnings
Total Installation; oil on raw linen, USSR-era matryoshka dolls, stoneware hollyhocks with crackle glaze, cotton thread on woven polypropylene and archival textile, onions, satin ribbons, cross-century regalia and a para-fictional text titled A Call for Recur printed at Sunday’s Print Service
Can’t catch lost time or the thinning earth
Oil on linen in beeswax frame, 70 x 55 x 9 cm, 2021
The land gives everything and takes away everything
Oil on linen with found wooden frame, 90 x 54.5 x 7.5 cm, 2021
Included in exhibition Pour the Fear: Solastalgic Synchronicities curated by Caitlin Merrett King, Lunchtime Gallery, Glasgow, UK, 2021 & The Grass at Our Feet at VITRINE, Basel, CH, 2022 alongside artists Cecilia Fiona and Leadro Pessantes
Single-channel digital video stills, 11:52 minutes, 2021
Score: Mahmood Hussain
Supported by the Shevchenko Foundation
Premiered in solo exhibition Pour the Fear: Solastalgic Synchronicities curated by Caitlin Merrett King, Lunchtime Gallery, Glasgow, UK; Screened in programmes: Collective Dreaming, Meno Avilys, 2024 & CCA Glasgow, 2023, curated by Milda Valiulytė & Julija Šilytė; Our Shape Apparently, Alchemy Film Festival, Hawick Scotland, 2022; Sometimes Time, Mourning School, Stockholm, SE, 2022; Cowlick in a Devil's Peak: A Night of Artists' Film, CCA Glasgow, 2021
Vyshyvani Kazky, Embroidered Stories
Installation view of solo exhibition at Zalucky Contemporary as part of the CONTACT Photography Festival, Toronto, CA, 2022
Supported by the Shevchenko Foundation
Future Projections
Documentation of archival intervention, Archival digital prints, Series of 9, 2018
Collaboration with Sylvia Dmyterko
Peasants Under Glass
Documentation of archival intervention, Digital archival print, Series of 6, 60 x 66 cm, 2020
Costumes: Poltava Ensemble of Song, Music & Dance, Photography: Noel Wendt
Solastalgic Soliloquy
Single channel digital video, 05:27 minutes, 2020
Camera: Soojin Chang & Nicholas Dmyterko
Screened in solo exhibition Vyshyvani Kazky, Embroidered Stories, Zalucky Contemporary, Toronto, CA, 2022; group exhibitions: Labour & Memory, ACT Arts Centre, 2022, curated by Courtney Millar; Happy Tide will Flood Again, 5 Florence St, 2022 organized by Jenny Brownrigg; Ritual & Lore, Art Gallery of Regina, 2020, curated by Jess Richter; and The Land Breathes Back, aCinema Space, Milwaukee, US, 2021
Distance of Sea, of Years
Installation view, size variable, 2019
Originally exhibited as part of MFA Interim Show, Glue Factory, Glasgow, UK, 2019 with parts later included in Ritual & Lore, Art Gallery of Regina, 2020 curated by Jess Richeter alongside artists Marigold Santos, Blair Fornwald & Brette Gabel, Audie Murray, Zoë Schneider & Maia Stark
Missed en Abyme
Oil on canvas, series of 8, each 122 x 91 cm, 2015
Included in The Story Began with a Beet, it must End with the Devil, Pangée, CA
The Dead Leave Us Starving with Mouths Full of Love
Oil on canvas, 122 x 91 cm, 2013